Manuel "Manu" Dacosse is a Belgian cinematographer. He is known for his work with directors Hélène Cattet and Bruno Forzani on the films Amer (2009), The Strange Colour of Your Body's Tears (2013), and Let the Corpses Tan (2017), the last two of which earned him the Magritte Award for Best Cinematography. He collaborated with director François Ozon on L'Amant double (2017) and By the Grace of God (2019); the latter received five nominations at the 25th Lumières Awards, including Best Cinematography for Dacosse. His film credits also include Torpedo (2012), Mobile Home (2012), Tasher Desh (2012), Alleluia (2014), The Lady in the Car with Glasses and a Gun (2015), Evolution (2015), Axolotl Overkill (2017), Adoration (2019), and The Silencing (2020). Source: Article "Manuel Dacosse" from Wikipedia in english, licensed under CC-BY-SA 3.0.
This biography comes from external sources and has not been verified by our team.| Year | Film | Job |
|---|---|---|
| 2025 | The Stranger (L’Étranger) | Director of Photography |
| 2025 | The Residence (Dalloway) | Director of Photography |
| 2025 | Reflection in a Dead Diamond (Reflet dans un diamant mort) | Director of Photography |
| 2024 | Maldoror (Le Dossier Maldoror) | Director of Photography |
| 2023 | Vincent Must Die (Vincent doit mourir) | Director of Photography |
| 2023 | The Crime Is Mine (Mon crime) | Director of Photography |
| 2023 | When Will It Be Again Like It Never Was Before (Wann wird es endlich wieder so, wie es nie war) | Director of Photography |
| 2022 | You Will Not Have My Hate (Vous n'aurez pas ma haine) | Director of Photography |
| 2022 | Simone: Woman of the Century (Simone, le voyage du siècle) | Director of Photography |
| 2022 | Peter von Kant | Director of Photography |
| 2022 | Inexorable | Director of Photography |
| 2021 | LYNX | Director of Photography |
| 2020 | The Silencing | Director of Photography |
| 2020 | Adoration | Director of Photography |
| 2019 | Three Days and a Life (Trois jours et une vie) | Director of Photography |
| 2019 | By the Grace of God (Grâce à Dieu) | Director of Photography |
| 2018 | The Emperor of Paris (L'Empereur de Paris) | Director of Photography |
| 2017 | Let the Corpses Tan (Laissez bronzer les cadavres) | Director of Photography |
| 2017 | Axolotl Overkill | Director of Photography |
| 2017 | Double Lover (L'Amant double) | Director of Photography |
| 2017 | The Confession (La Confession) | Director of Photography |
| 2016 | Odd Job (Un petit boulot) | Director of Photography |
| 2016 | Evolution (Évolution) | Director of Photography |
| 2015 | The Lady in the Car with Glasses and a Gun (La Dame dans l'auto avec des lunettes et un fusil) | Director of Photography |
| 2014 | Alleluia (Alléluia) | Director of Photography |
| 2014 | Nectar | Director of Photography |
| 2013 | The Land of Cards (তাসের দেশ) | Director of Photography |
| 2013 | The Strange Color of Your Body's Tears (L'Étrange Couleur des larmes de ton corps) | Director of Photography |
| 2013 | Electric Indigo | Director of Photography |
| 2013 | The ABCs of Death | Director of Photography |
| 2012 | Mobile Home | Director of Photography |
| 2012 | Torpédo | Director of Photography |
| 2009 | Amer | Director of Photography |
| 2008 | Black Lands (Terres noires) | Director of Photography |
| 2006 | Santos Palace | Director of Photography |
| 2004 | The Strange Portrait of the Lady in Yellow (L'étrange portrait de la dame en jaune) | Director of Photography |
| 2003 | The End of Our Love (La fin de notre amour) | Director of Photography |
| 2003 | The Five Obstructions (De fem benspænd) | Additional Director of Photography |
| 2002 | Yellow Room (Chambre jaune) | Director of Photography |